E r e l  P a z       Bruckner's Force (2002)                         for Piano Quartet

 

 

The piece was composed by request of composer Josef Bardanashvili specially for the 3rd International Biennial for contemporary music in Tel Aviv (Tempus Fugit).

It's world premier took place at the Tel Aviv Museum of Art on October 12  2002 by: Ruthi Zori-piano, Ilja Konavalov-Violin, Roman Spitzer-Viola and Hillel Zori-Cello. 

Second Performance: June 9 2003, at the Felicia Blumenthal Music Center in Tel Aviv, by: Michael Goldstein-piano, Michael Yanuvsky-Violin, Victor Chistosov-Viola and Constantine Sokolov-Cello.

   

             Michael, Michael, Victor & Constantine

Third Performance: The 24th Asian Composers League (ACL) Conference & Festival on October 20 2004, at the Jerusalem Music Center (JMC), by: Guy Feder-Conductor, Shlomi Shem Tov-piano,  Nitai Zori-violin, Adrian Justus-viola and Jonathan Gotlibovich-cello.

                                     

                                       Nitai, Adrian, Yoni & Guy                                                                                           Shlomi & Nitai 

This excellent and impressive performance has earned Paz the Yoshiro Irino Memorial Prize. The prize is given to the most outstanding work preformed during the ACL festival by a young composer from the host country.

                                     

                                                                               Sung-Jae Lee, Erel Paz &  Isao Matsushita 

About the Piece (program notes) :

The piece is an autobiographic & intimate expression, based on a musical childhood memory.
As a child, I studied to play violin, and at the age of 13 I played for the first time in a youth symphonic orchestra, conducted by one of Israel's leading musicians, Prof. Ami Maayani. The first piece that was played was Bruckner's 4th Symphony. The memory of the first & exciting meeting with the symphonic medium, as well as some anecdotes related to the conductor's uncompromising personality, were the primary ideal & emotional material for this composition.
The opening motive from Bruckner's 4th symphony, appears through the piece in a hidden way, and slowly reveals itself out from heterophonic texture. The natural melodic character of Bruckner's motive, as well as its tonality feeling, contrasts the free & "modern" language of my composition, a contrast which shapes the progression & structure of the piece.

 

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