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The piece was composed by request of
composer
Josef Bardanashvili specially for the 3rd
International Biennial for contemporary music in Tel Aviv (Tempus Fugit).
It's world premier took place at the
Tel Aviv Museum of Art on October 12 2002 by: Ruthi Zori-piano, Ilja
Konavalov-Violin, Roman Spitzer-Viola and Hillel Zori-Cello.
Second Performance: June 9 2003, at
the Felicia Blumenthal Music Center in Tel Aviv, by: Michael
Goldstein-piano, Michael
Yanuvsky-Violin, Victor Chistosov-Viola and Constantine Sokolov-Cello.

Michael, Michael, Victor & Constantine
Third Performance: The 24th Asian
Composers League (ACL) Conference & Festival on October 20 2004, at the
Jerusalem Music Center
(JMC), by: Guy Feder-Conductor, Shlomi
Shem Tov-piano, Nitai Zori-violin, Adrian Justus-viola and Jonathan
Gotlibovich-cello.

Nitai, Adrian, Yoni & Guy
Shlomi & Nitai
This excellent and impressive performance has earned Paz the Yoshiro Irino
Memorial Prize. The prize is given to the most outstanding work preformed
during the ACL festival by a young composer from the host country.

Sung-Jae Lee, Erel Paz & Isao Matsushita
About the Piece (program notes) :
The piece is an autobiographic & intimate expression, based
on a musical childhood memory.
As a child, I studied to play violin, and at the age of 13 I played for
the first time in a youth symphonic orchestra, conducted by one of
Israel's leading musicians, Prof.
Ami Maayani. The first piece that was
played was Bruckner's 4th Symphony. The memory of the first & exciting
meeting with the symphonic medium, as well as some anecdotes related to
the conductor's uncompromising personality, were the primary ideal &
emotional material for this composition.
The opening motive from Bruckner's 4th symphony, appears through the piece
in a hidden way, and slowly reveals itself out from heterophonic texture.
The natural melodic character of Bruckner's motive, as well as its
tonality feeling, contrasts the free & "modern" language of my
composition, a contrast which shapes the progression & structure of the
piece.
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